Tuesday, May 29, 2012

Todos os tipos de azul e mais...



Todos os tipos de azul e mais...

Só um sitio
nem nuvem, nem mar
peixes a saltar e votos de boa sorte

um pouco de sombra e recato
as ruas são rios com gente
aqui é coito, uma transversal do tempo

aqui contam todos os tipos de azul e mais...

Lá fora tilias, estranhos a falar do tempo.



Monday, May 28, 2012

fora do eixo



um dia tudo estará centrado, alinhado
       fora do eixo gasto dos dias estérieis e das horas ocas
               um dia embarcaremos no varino "Liberdade" e vogaremos a Sul

                     nesse dia seguir-nos-ão as gaivotas e veremos flamingos e garças
                               enterraremos os pés no lodo e será ainda manhã, um dia cantaremos
                                                    o cantar das andorinhas, sobre casas esquecidas, girassois
                                                                  grandes amarelos seguidores do sol.
                                                       

Friday, May 25, 2012

sonho com cavalos...

ChiaNi          
my father teach me Chinese calligraphy since I were about 7 years old. He told me if I want to be artist. I need learn calligraphy first. Now I agree with him. in the painting. each line carry the artist life in it.

(found in Flickr.com)

Paseantes

Edmond Quinche. Paseantes. 1969-1970. Litografía con lápiz y raspaduras. Fondation William Cuendet & Atelier de Saint-Prex (en depósito en el Musée Jenisch, Vevey Cabinet cantonal des estampes) © Gérard Pétremand, Ginebra

Tuesday, May 22, 2012

Magnificat

Magnificat

Quando é que passará esta noite interna, o universo,
E eu, a minha alma, terei o meu dia?
Quando é que despertarei de estar acordado?
Não sei. O sol brilha alto,
Impossível de fitar.
As estrelas pestanejam frio,
Impossíveis de contar.
O coração pulsa alheio,
Impossível de escutar.
Quando é que passará este drama sem teatro,
Ou este teatro(*) sem drama,
E recolherei a casa?
Onde? Como? Quando?
Gato que me fitas com olhos de vida, que tens lá no fundo?
É esse! É esse!
Esse mandará como Josué parar o sol e eu acordarei;
E então será dia.
Sorri, dormindo, minha alma!
Sorri, minha alma, será dia!
Álvaro de Campos- Contemporânea, 07/11/1933
No original do 1933 diz theatro as duas vezes.

Monday, May 21, 2012

Uma anunciação






Uma anunciação é quando um anjo interrompe a tua errância e te lembra que não deves desperdiçar passos.

Thursday, May 17, 2012

Leda


Um cisne, um homem
Leda
Um deus, um rei
Leda

(de nada servem as altas muralhas contra quem vem dos céus...)

Wednesday, May 16, 2012

The Last Post

By Robert Graves

1895.7.24-1985.12.7



The bugler sent a call of high romance--
"Lights out! Lights out!" to the deserted square.
On the thin brazen notes he threw a prayer,
"God, if it's this for me next time in France ...
O spare the phantom bugle as I lie
Dead in the gas and smoke and roar of guns,
Dead in a row with the other broken ones
Lying so stiff and still under the sky,
Jolly young Fusiliers too good to die."

Monday, May 14, 2012

Lavender pathfinder


Jackson Pollock, Number 1, 1950 (Lavender Mist),1950, National Gallery of Art


Playing a game



We start…and start over again :

Starting and restarting,

It sounds like a pointless game

but it’s one about roads, maps and paths…

ways of getting to places, ways of getting there.



There playing a game

Monday, May 7, 2012

Tuesday, May 1, 2012

Dockery and Son


By Philip Larkin 1922–1985 Philip Larkin
‘Dockery was junior to you,
Wasn’t he?’ said the Dean. ‘His son’s here now.’
Death-suited, visitant, I nod. ‘And do
You keep in touch with—’ Or remember how
Black-gowned, unbreakfasted, and still half-tight
We used to stand before that desk, to give
‘Our version’ of ‘these incidents last night’?
I try the door of where I used to live:

Locked. The lawn spreads dazzlingly wide.
A known bell chimes. I catch my train, ignored.
Canal and clouds and colleges subside
Slowly from view. But Dockery, good Lord,
Anyone up today must have been born
In ’43, when I was twenty-one.
If he was younger, did he get this son
At nineteen, twenty? Was he that withdrawn

High-collared public-schoolboy, sharing rooms
With Cartwright who was killed? Well, it just shows
How much ... How little ... Yawning, I suppose
I fell asleep, waking at the fumes
And furnace-glares of Sheffield, where I changed,
And ate an awful pie, and walked along
The platform to its end to see the ranged
Joining and parting lines reflect a strong

Unhindered moon. To have no son, no wife,
No house or land still seemed quite natural.
Only a numbness registered the shock
Of finding out how much had gone of life,
How widely from the others. Dockery, now:
Only nineteen, he must have taken stock
Of what he wanted, and been capable
Of ... No, that’s not the difference: rather, how

Convinced he was he should be added to!
Why did he think adding meant increase?
To me it was dilution. Where do these
Innate assumptions come from? Not from what
We think truest, or most want to do:
Those warp tight-shut, like doors. They’re more a style
Our lives bring with them: habit for a while,
Suddenly they harden into all we’ve got

And how we got it; looked back on, they rear
Like sand-clouds, thick and close, embodying
For Dockery a son, for me nothing,
Nothing with all a son’s harsh patronage.
Life is first boredom, then fear.
Whether or not we use it, it goes,
And leaves what something hidden from us chose,
And age, and then the only end of age.
 
Philip Larkin, “Dockery and Son” from Collected Poems. Used by permission of The Society of Authors as the Literary Representative of the Estate of Phillip Larkin.

Source: Collected Poems (Farrar Straus and Giroux, 2001)

Simples, é amar uma mulher

Hendrickje Bathing in a River1654 (130 Kb); Oil on panel, 61.8 x 47 cm; National Gallery, London

Friday, April 27, 2012

Verde, faltava aqui verde...

o mar, o mar

vale a pena ver : http://www.ranortner.com/#imagegalleries/Galleries/Painting/11

Monday, April 16, 2012

A minha infância


A minha infância à sombra da arquitectura industrial e do zumbido das máquinas...a qualquer hora, dia ou noite, sempre luz e ruído.
Mais, mais, mais...por vezes alguém morria ou se magoava seriamente, mas nunca se parava, os tapetes rolantes continuavam a trazer a matéria prima, os moinhos a girar, as camionetas a saír carregadas dos portões...mais, mais, mais.

Friday, April 13, 2012

Night Writing

Night Writing


Only a neat margin of moonlight

there at the curtain's edge.

The room like a dark page.

I lie in bed.

Silence is ink.

The sound of my breath dips in

and out. So I begin

night writing. The stars type themselves

far out in space.

Who would guess,

to look at my sleeping face,

the rhymes and tall tales I invent?

Here be dragons; children lost

in the wood; three wishes; the wicked

and the good.

Read my lips.

The small hours are poems.

Dawn is a rubber.

(Carol Ann Duffy)

encontrado no Abrupto.

blue

Thursday, April 12, 2012

keep it quiet


keep it quiet...and simple

(
My nose is completely nonfunctioning so sleeping it’s not easy anymore -
all night I hear the church bells : each hour and each half hour, get their toll
night can be dark, but has a sound map to it, around here.

Flowers - flowers I guess are the reason
For my shortness of breath - white bushes covering the hills like late snow,
Making the air vivid with scents, everything blooms, everything sings, no
everything SHOUTS and trees only a while ago, like lost souls wailing the skies
are now green, feisty, fresh, luscious and new.

I sit in the Hospital chair waiting to be called in,
It’s all quiet and I’m in front of a big window facing west,
Sun is setting and I can see it through the clouds, a little rain falls, and all is magic.
I’m alright, I’m alright.
)

Bodegón cubista

Menchu Gal ..Bodegón cubista. Óleo sobre tabla