Tuesday, May 29, 2012
Todos os tipos de azul e mais...
Todos os tipos de azul e mais...
Só um sitio
nem nuvem, nem mar
peixes a saltar e votos de boa sorte
um pouco de sombra e recato
as ruas são rios com gente
aqui é coito, uma transversal do tempo
aqui contam todos os tipos de azul e mais...
Lá fora tilias, estranhos a falar do tempo.
Monday, May 28, 2012
fora do eixo
um dia tudo estará centrado, alinhado
fora do eixo gasto dos dias estérieis e das horas ocas
um dia embarcaremos no varino "Liberdade" e vogaremos a Sul
nesse dia seguir-nos-ão as gaivotas e veremos flamingos e garças
enterraremos os pés no lodo e será ainda manhã, um dia cantaremos
o cantar das andorinhas, sobre casas esquecidas, girassois
grandes amarelos seguidores do sol.
Friday, May 25, 2012
Paseantes
Edmond Quinche. Paseantes. 1969-1970. Litografía con lápiz y raspaduras. Fondation William Cuendet & Atelier de Saint-Prex (en depósito en el Musée Jenisch, Vevey Cabinet cantonal des estampes) © Gérard Pétremand, Ginebra
Tuesday, May 22, 2012
Magnificat
Magnificat
Quando é que passará esta noite interna, o universo,
E eu, a minha alma, terei o meu dia?
Quando é que despertarei de estar acordado?
Não sei. O sol brilha alto,
Impossível de fitar.
As estrelas pestanejam frio,
Impossíveis de contar.
O coração pulsa alheio,
Impossível de escutar.
Quando é que passará este drama sem teatro,
Ou este teatro(*) sem drama,
E recolherei a casa?
Onde? Como? Quando?
Gato que me fitas com olhos de vida, que tens lá no fundo?
É esse! É esse!
Esse mandará como Josué parar o sol e eu acordarei;
E então será dia.
Sorri, dormindo, minha alma!
Sorri, minha alma, será dia!
Álvaro de Campos- Contemporânea, 07/11/1933
No original do 1933 diz theatro as duas vezes.
E eu, a minha alma, terei o meu dia?
Quando é que despertarei de estar acordado?
Não sei. O sol brilha alto,
Impossível de fitar.
As estrelas pestanejam frio,
Impossíveis de contar.
O coração pulsa alheio,
Impossível de escutar.
Quando é que passará este drama sem teatro,
Ou este teatro(*) sem drama,
E recolherei a casa?
Onde? Como? Quando?
Gato que me fitas com olhos de vida, que tens lá no fundo?
É esse! É esse!
Esse mandará como Josué parar o sol e eu acordarei;
E então será dia.
Sorri, dormindo, minha alma!
Sorri, minha alma, será dia!
Álvaro de Campos- Contemporânea, 07/11/1933
No original do 1933 diz theatro as duas vezes.
Labels:
Álvaro de Campos,
Fernando Pessoa
Monday, May 21, 2012
Uma anunciação
Uma anunciação é quando um anjo interrompe a tua errância e
te lembra que não deves desperdiçar passos.
Thursday, May 17, 2012
Leda
Um cisne, um homem
Leda
Um deus, um rei
Leda
(de nada servem as altas muralhas contra quem vem dos céus...)
Wednesday, May 16, 2012
The Last Post
By Robert Graves
1895.7.24-1985.12.7The bugler sent a call of high romance--
"Lights out! Lights out!" to the deserted square.
On the thin brazen notes he threw a prayer,
"God, if it's this for me next time in France ...
O spare the phantom bugle as I lie
Dead in the gas and smoke and roar of guns,
Dead in a row with the other broken ones
Lying so stiff and still under the sky,
Jolly young Fusiliers too good to die."
Monday, May 14, 2012
Lavender pathfinder
Jackson Pollock, Number 1, 1950 (Lavender Mist),1950, National Gallery of Art |
Playing a game
We start…and
start over again :
Starting and
restarting,
It sounds
like a pointless game
but it’s one
about roads, maps and paths…
ways of getting
to places, ways of getting there.
There playing
a game
Labels:
Adele Astaire,
Jackson Pollock
Monday, May 7, 2012
Tuesday, May 1, 2012
Dockery and Son
By Philip Larkin 1922–1985 Philip Larkin
‘Dockery was junior to you,
Wasn’t he?’ said the Dean.
‘His son’s here now.’
Death-suited, visitant, I nod.
‘And do
You keep in touch with—’ Or
remember how
Black-gowned, unbreakfasted,
and still half-tight
We used to stand before that
desk, to give
‘Our version’ of ‘these
incidents last night’?
I try the door of where I used
to live:
Locked. The lawn spreads
dazzlingly wide.
A known bell chimes. I catch
my train, ignored.
Canal and clouds and colleges
subside
Slowly from view. But Dockery,
good Lord,
Anyone up today must have been
born
In ’43, when I was twenty-one.
If he was younger, did he get
this son
At nineteen, twenty? Was he
that withdrawn
High-collared
public-schoolboy, sharing rooms
With Cartwright who was
killed? Well, it just shows
How much ... How little ...
Yawning, I suppose
I fell asleep, waking at the
fumes
And furnace-glares of
Sheffield, where I changed,
And ate an awful pie, and
walked along
The platform to its end to see
the ranged
Joining and parting lines
reflect a strong
Unhindered moon. To have no
son, no wife,
No house or land still seemed
quite natural.
Only a numbness registered the
shock
Of finding out how much had
gone of life,
How widely from the others.
Dockery, now:
Only nineteen, he must have
taken stock
Of what he wanted, and been
capable
Of ... No, that’s not the
difference: rather, how
Convinced he was he should be
added to!
Why did he think adding meant
increase?
To me it was dilution. Where
do these
Innate assumptions come from?
Not from what
We think truest, or most want
to do:
Those warp tight-shut, like
doors. They’re more a style
Our lives bring with them:
habit for a while,
Suddenly they harden into all
we’ve got
And how we got it; looked back
on, they rear
Like sand-clouds, thick and
close, embodying
For Dockery a son, for me
nothing,
Nothing with all a son’s harsh
patronage.
Life is first boredom, then
fear.
Whether or not we use it, it
goes,
And leaves what something
hidden from us chose,
And age, and then the only end
of age.
Philip Larkin, “Dockery and Son” from Collected Poems. Used by
permission of The Society of Authors as the Literary Representative of the
Estate of Phillip Larkin.
Source: Collected Poems (Farrar Straus and Giroux, 2001)
Friday, April 27, 2012
Monday, April 23, 2012
Monday, April 16, 2012
A minha infância
A minha infância à sombra da arquitectura industrial e do zumbido das máquinas...a qualquer hora, dia ou noite, sempre luz e ruído.
Mais, mais, mais...por vezes alguém morria ou se magoava seriamente, mas nunca se parava, os tapetes rolantes continuavam a trazer a matéria prima, os moinhos a girar, as camionetas a saír carregadas dos portões...mais, mais, mais.
Friday, April 13, 2012
Night Writing
Night Writing
Only a neat margin of moonlight
there at the curtain's edge.
The room like a dark page.
I lie in bed.
Silence is ink.
The sound of my breath dips in
and out. So I begin
night writing. The stars type themselves
far out in space.
Who would guess,
to look at my sleeping face,
the rhymes and tall tales I invent?
Here be dragons; children lost
in the wood; three wishes; the wicked
and the good.
Read my lips.
The small hours are poems.
Dawn is a rubber.
(Carol Ann Duffy)
encontrado no Abrupto.
Only a neat margin of moonlight
there at the curtain's edge.
The room like a dark page.
I lie in bed.
Silence is ink.
The sound of my breath dips in
and out. So I begin
night writing. The stars type themselves
far out in space.
Who would guess,
to look at my sleeping face,
the rhymes and tall tales I invent?
Here be dragons; children lost
in the wood; three wishes; the wicked
and the good.
Read my lips.
The small hours are poems.
Dawn is a rubber.
(Carol Ann Duffy)
encontrado no Abrupto.
Thursday, April 12, 2012
keep it quiet
keep it quiet...and simple
(
My nose is completely nonfunctioning so sleeping it’s not easy anymore -
all night I hear the church bells : each hour and each half hour, get their toll
night can be dark, but has a sound map to it, around here.
Flowers - flowers I guess are the reason
For my shortness of breath - white bushes covering the hills like late snow,
Making the air vivid with scents, everything blooms, everything sings, no
everything SHOUTS and trees only a while ago, like lost souls wailing the skies
are now green, feisty, fresh, luscious and new.
I sit in the Hospital chair waiting to be called in,
It’s all quiet and I’m in front of a big window facing west,
Sun is setting and I can see it through the clouds, a little rain falls, and all is magic.
I’m alright, I’m alright.
)
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(found in Flickr.com)