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The Supper at Emmaus
1601, Michelangelo Merisi da Caravaggio

Two of Jesus' disciples were walking to Emmaus after the Crucifixion when the resurrected Jesus himself drew near and went with them, but they did not recognise him. At supper that evening in Emmaus '... he took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight' (Luke 24: 30-31). Christ is shown at the moment of blessing the bread and revealing his true identity to the two disciples.

Caravaggio's innovative treatment of the subject makes this one of his most powerful works. The depiction of Christ is unusual in that he is beardless and great emphasis is given to the still life on the table. The intensity of the emotions of Christ's disciples is conveyed by their gestures and expression. The viewer too is made to feel a participant in the event.

The picture was commissioned by the Roman nobleman Ciriaco Mattei in 1601.


Um homem espera sentado com a bitola na mão, que os colegas acabem de beber o café.
Passa um comboio rápido ao meu lado.
Uma rapariga magra, calça uns sapatos altíssimos, muito bem feitos, em pele de duas cores.
O dia está claro e limpo, não consigo ouvir nada contudo.
(continua)